![]() ![]() Keeping these post-production jobs in the forefront of your mind can serve as a reminder. Those little details, however, are a big part of what makes your project feel polished. When you’re working on your own, it’s easy to forget the little details. Obviously, many indie projects will see you wear nearly all of these hats yourself. Essentially, the Online Editor’s job is to make sure all the completed elements are where they need to be before final exporting. The finished footage is swapped in alongside the final VFX, titles, and complete soundtrack. “Online Editing” is the finishing stage of post-production. Bringing it homeĬapping off the whole process is one final job: the Online Editor. When budget doesn’t allow, they’ll handle the same duties as the Dialog Editor, Foley Artist and final mixer. This includes syncing up audio tracks with the footage and even laying in sound effects. Much like the Editor lays out the visual imagery, the Sound Editor does the same for the soundtrack. Not only do they fit the parts together, but also ensure they all match and might have to tweak lighting/other aspects to make it seamless. Their job in post-production is an important one. lighting, smoke effects, matte painting, 3D VFX, etc) and combine them into a single image. They take the effects elements crafted by others (e.g. The Compositor makes sure the final image looks like a final image. Not everyone can shoot wide shots from the top of a skyscraper. They craft hyperrealistic exteriors and interiors to form the backdrop for scenes that otherwise couldn’t be created recreated. While the tools a Matte Painter uses have changed in the digital age, the work itself is still the same. It requires a high level of detail, but the results of the labor are undeniable. This creates a silhouette the Compositor can then use to help line up the VFX elements. ![]() They trace and cut out the areas in live-action frames where computer-generated images will be placed. Roto artists handle one of the most detailed and painstaking jobs in post-production. This organization allows the Editor to easily access what they need without wasting time tracking down specific footage. This includes logging and capturing footage, labeling and organizing clips (either by shoot date or according to the script), and generally keeping track of rushes coming in. This person takes all the rushes and organizes them. The work of an Assistant Editor makes the main Editor’s job in post-production significantly easier. Cut after cut is made to eventually trim the footage down to its final arrangement. Editors shape the project’s story alongside the director, ensuring all the important information is conveyed to audiences in a way that makes sense. For projects with a larger budget, these steps are big enough to require their own dedicated positions to handle: EditorĪn Editor takes all the raw footage (rushes) shot and puts it into chronological order. Even the basic aspect of getting the picture to look and play how you want requires a number of steps in the process. Going from hours of raw footage to a polished final product requires quite a bit of work. ![]()
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