![]() ![]() ![]() Old-skool vets of tape editing know especially well what it means to sit in a “suite” with big jog shuttles and colorful keyboards. You can dedicate your primary screen to your timeline, effects and playback monitors, with your second screen dedicated to organizing your assets like a storyboard.īut there’s another and even more under-appreciated tool for video editing: dedicated controls, beyond the computer keyboard. I teach four sessions per year on how to edit with Adobe Premiere, and the first/best advice I’ve come up with is that productivity is all about screen real estate: it’s crazy to work from a laptop screen, let alone just one monitor, when it’s so utterly cheap nowadays to grow your editing workspace by adding at least one extra monitor, for the cost of a few beers. Same thing goes for the gear you need in the editing suite. See Creating and Editing events for the specific playback behaviour of this feature.The creators of this product, Contour Design, are offering readers here an exclusive 20% discount off any purchase from their webstore using coupon code FP20 at: It’s a common insight that editing a film is where most of the magic happens that it’s underestimated. The previous workflow of copying and moving via menu numbers is still available if preferred.Įach event can now have independent speeds assigned on playback, or left as default. The new built in ShuttlePro v2 replay template in Shortcuts has been updated to emulate all the previous behaviour and will need to be imported into shortcuts for all users that used this controller in version 23 and prior.Įvents can now be copied and pasted using a cut/copy/paste workflow. The buttons have also changed from ReplayA, ReplayB functions to standard MIDI numbers. In 24, the ShuttlePro v2 now works as a fully customisable replay controller.Īs a result shortcuts need to be added to replicate the previous jog/shuttle behaviour. ShuttlePro v2 Jog/Shuttle controls in previous releases were fixed and could not be changed. Operators will need to consider expanding the in and out times of events if they wish to emulate the previous behaviour. In 24, this has been changed so the transition effect will overlap the end and start of the two events. In previous releases, a transition effect between events would occur after the out point of the previous eventĪnd before the in point of the next, leading to playing back extra video at the end and start of the two events. Shortcuts also allow assigning tasks to a particular channel as needed. In 24, these are still linked by default, but can now be used completely independently if required.Įvents can be played back in A while events are edited in B and vice versa. In previous releases, A and B outputs were fixed to the same time for both. VMix AVI files also have a slightly higher bitrate as they are higher quality at 4:2:2 vs the previous format's 4:2:0 format, so recording remaining times may be reduced by up to 20%. VMIx AVI cannot be uploaded directly to sites such as YouTube, Twitter etc, so exporting in MP4 will be required to use these platforms. VMix AVI files can be imported into Adobe Premiere, Magix Vegas Pro directly, or the Export Clips feature can be used to export in MP4 format. To facilitate higher camera and 4K formats, vMix Replay now uses the vMix AVI format for its recordings instead of the previous MPEG-2 MPG files.Īs a result, a new replay session folder will need to be created.Įxisting replay session folders can be opened and viewed in 24, but should no longer be used for new productions. VMix Replay has undergone some significant workflow changes in version 24 which are outlined below for reference. ![]()
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